Marginalia
An Interview with Rashida Murphy
Charlotte Guest Rashida Murphy The Historian's Daughter
An interview between Samuel Cox, Publishing Intern, and Rashida Murphy, author of The Historian's Daughter._____________________________________________________________________________ 1. Your characters try to forge new lives for themselves in three countries: India, Iran and Australia. What does your novel say about the concept of ‘home’? I think immigrants such as myself, who have spent more time away from than in their ‘home’ country, find the concept troublesome. My characters have connections to, and a longing for, a home they have left or cannot return to, yet make themselves at home wherever they are. I wanted to explore the idea that we are all...
An Interview with Sylvia Martin
UWA Publishing
Writing a biography is a big commitment to a single subject. How did you discover Aileen Palmer and when did you know you wanted to write her life?What do readers want?
UWA Publishing Australian publishing book industry on reading Publishing
‘Historically speaking,’ said one of the visiting publishers at the Australia Council’s 2016 publishing scheme, ‘Koreans read for educational purposes. Only recently have we started reading for pleasure. This is why non-fiction books are very big in our market: business books, science…but literary fiction is starting to sell very well.’
Forever in print, or: Notes on printing and publishing at the time of the Bard
UWA Publishing Martin Luther Printing Publishing Shakespeare Shakespeare400
It is difficult to overstate Shakespeare’s influence on language and popular culture. After a while it becomes hard to tune him out; he’s on screen, in political speeches, in marketing campaigns, on The Simpsons. You try to escape, slither back into your pre-Shakespearean world for a moment; huddle up in front of a Disney film. Then someone pipes up, ‘Did you know The Lion King is based on Hamlet?’ This man, it seems, single-handedly changed the course of Western popular imagination. He gave us new words with which to express ourselves; characters that have proven immortal; thoughts on love and death that remain relevant.
An extract from Extinctions by Josephine Wilson
UWA Publishing Dorothy Hewett Award for an Unpublished Manuscript Extinctions Josephine Wilson
Sunday January 17, 2006
Out the window there was nothing that could be called poetry, nothing wind-swept, billowing, tossing or turning in a streaky sky, nothing other than a taut blue sky and the low drone of air conditioners. In car parks across the city women pulled on soft cotton hats and cowered under brollies. Babies kicked and squalled, itchy with heat rash. Fridges groaned. Water dripped from old rubber seals. Milk soured. Fans turned. The grid strained.